https://sofiahallstrom.com sofia hallstrom Tue, 10 Mar 2026 13:24:41 +0000 https://sofiahallstrom.com en https://sofiahallstrom.com/Film-1 Tue, 10 Mar 2026 13:24:41 +0000 sofia hallstrom https://sofiahallstrom.com/Film-1 Flat 19, film by Joanna Hogg Commissioned by Eye Filmmuseum and co-produced by Onassis Stegi. Tilda Swinton - Ongoing at the Eye Filmmuseum, Amsterdam, 2025 Assistant Producer Image Joanna Hogg Editing Helle le Fevre Sound Jovan Ajder Assistant Editor Mike G.B. Macleod Producers Pinky Ghundale and Julia KozaliewiczThe exhibition also features new works by Pedro Almodóvar, Luca Guadagnino, Jim Jarmusch, Olivier Saillard, Tim Walker, Apichatpong Weerasethakul and previously unseen films by Derek Jarman. <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/b8ca02be3a3455125a4f1b5ad537dc56a1fff19010e91347e9cc8bb2e1286264/WhatsApp-Image-2025-09-29-at-14.30.51.jpeg" data-mid="245841208" border="0" src="https://freight.cargo.site/w/1000/i/b8ca02be3a3455125a4f1b5ad537dc56a1fff19010e91347e9cc8bb2e1286264/WhatsApp-Image-2025-09-29-at-14.30.51.jpeg" /> <img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/254639e1734a2b77dad28120800c9d47a352c8422b8e730a737b2fa0b7966a45/WhatsApp-Image-2025-09-29-at-14.30.52.jpeg" data-mid="245841209" border="0" src="https://freight.cargo.site/w/1000/i/254639e1734a2b77dad28120800c9d47a352c8422b8e730a737b2fa0b7966a45/WhatsApp-Image-2025-09-29-at-14.30.52.jpeg" /> Stills from Flat 19&nbsp; https://sofiahallstrom.com/Production Tue, 10 Mar 2026 11:37:02 +0000 sofia hallstrom https://sofiahallstrom.com/Production Flat 19, Installation by Joanna Hogg Tilda Swinton - Ongoing at the Eye Filmmuseum, Amsterdam, 2025 Assistant Producer Production Designer Stéphane Collonge Sound Designer Jovan Ajder Producers Pinky Ghundale and Julia Kozaliewicz Eye Filmmuseum Reinier Klok, Martijn Bor, Sebastian Vasquez Set build surinamekade.nl: Daan van de Gender, Brandaan Hofman, Remy Becker, Claudia Glazener, Stephen Doyle, Eva de Boer, Wim Endendijk, Syb Sybesma Technical Production Geluidsvormgeving: Mark Thur, Lukas Dekker, Lorenzo Mirra AV Production Indyvideo: Rembrandt Boswijk, Giulia di Pietro, Marnix Bloemberg <img width="3072" height="4096" width_o="3072" height_o="4096" data-src="https://freight.cargo.site/t/original/i/18e773913715b5921af14b630c63e6bc45aba0d7a1ba200ded73361e8599cb96/VWE_TILDASWINTON_CHANEL_EYEFILM-354.jpg" data-mid="245839201" border="0" src="https://freight.cargo.site/w/1000/i/18e773913715b5921af14b630c63e6bc45aba0d7a1ba200ded73361e8599cb96/VWE_TILDASWINTON_CHANEL_EYEFILM-354.jpg" /> <img width="2657" height="3543" width_o="2657" height_o="3543" data-src="https://freight.cargo.site/t/original/i/40e6fc737d0923f3c2d2250fe5b1ecc0594e8b7f80c23168b3184da617d9566f/Tilda-Swinton-Ongoing--Eye-Filmmuseum--studiohanswilschut-16.jpg" data-mid="245839111" border="0" src="https://freight.cargo.site/w/1000/i/40e6fc737d0923f3c2d2250fe5b1ecc0594e8b7f80c23168b3184da617d9566f/Tilda-Swinton-Ongoing--Eye-Filmmuseum--studiohanswilschut-16.jpg" /> <img width="3283" height="5120" width_o="3283" height_o="5120" data-src="https://freight.cargo.site/t/original/i/8a8447f270f025ae6c71f18a22d55b7e04f02f866f382c5f648bfa7e56111d40/DSCF3677.JPG" data-mid="245839173" border="0" src="https://freight.cargo.site/w/1000/i/8a8447f270f025ae6c71f18a22d55b7e04f02f866f382c5f648bfa7e56111d40/DSCF3677.JPG" /> <img width="3072" height="4096" width_o="3072" height_o="4096" data-src="https://freight.cargo.site/t/original/i/21fa31ab10f02d6f1c7522afa806b84e71d24269bc76916bfa26c84300b4242c/VWE_TILDASWINTON_CHANEL_EYEFILM-392-2.jpg" data-mid="245839202" border="0" src="https://freight.cargo.site/w/1000/i/21fa31ab10f02d6f1c7522afa806b84e71d24269bc76916bfa26c84300b4242c/VWE_TILDASWINTON_CHANEL_EYEFILM-392-2.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/7b02f104ebb686002a23eba0d6aa642af477a657e9c68b1afba5b9cd6472bbfd/DSCF3544.jpg" data-mid="245839159" border="0" src="https://freight.cargo.site/w/1000/i/7b02f104ebb686002a23eba0d6aa642af477a657e9c68b1afba5b9cd6472bbfd/DSCF3544.jpg" /> <img width="3543" height="2657" width_o="3543" height_o="2657" data-src="https://freight.cargo.site/t/original/i/8af3ab11ab0bafba11e200ba17ccdfc0b5d134472b128edada655811dbe4b7f6/Tilda-Swinton-Ongoing--Eye-Filmmuseum--studiohanswilschut-17.jpg" data-mid="245839112" border="0" src="https://freight.cargo.site/w/1000/i/8af3ab11ab0bafba11e200ba17ccdfc0b5d134472b128edada655811dbe4b7f6/Tilda-Swinton-Ongoing--Eye-Filmmuseum--studiohanswilschut-17.jpg" /> <img width="3543" height="2657" width_o="3543" height_o="2657" data-src="https://freight.cargo.site/t/original/i/b6ea185343facacb707f66847d4305c6527cb4e2c871be798617f3a85efb2a98/Flat-19---__studiohanswilschut_DSF0321.jpg" data-mid="245839114" border="0" src="https://freight.cargo.site/w/1000/i/b6ea185343facacb707f66847d4305c6527cb4e2c871be798617f3a85efb2a98/Flat-19---__studiohanswilschut_DSF0321.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f9eab1d32df0efcbfbc1f6c8bfb85bb8b774a235e454f39aef4999ff3c9a2085/DSCF3533.JPG" data-mid="245839157" border="0" src="https://freight.cargo.site/w/1000/i/f9eab1d32df0efcbfbc1f6c8bfb85bb8b774a235e454f39aef4999ff3c9a2085/DSCF3533.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/026dabbed251e2df905498dc8da735abb503bd3d37921a3d3d7ba7e28f29ee36/DSCF3535.JPG" data-mid="245839158" border="0" src="https://freight.cargo.site/w/1000/i/026dabbed251e2df905498dc8da735abb503bd3d37921a3d3d7ba7e28f29ee36/DSCF3535.JPG" /> Tilda Swinton in installation Flat 19, part of the exhibition Tilda Swinton – Ongoing in Eye Filmmuseum, Amsterdam. Photos by: Victor Wennekes https://sofiahallstrom.com/Essays Tue, 10 Mar 2026 11:37:03 +0000 sofia hallstrom https://sofiahallstrom.com/Essays In Lithuania, a giant Tony Soprano co-exists with crumbling post-Soviet architecture. What can an installation on hoarding teach us about memory, resilience and transgenerational inheritanceTANK Magazine Winter Issue 2025 <img width="1140" height="1508" width_o="1140" height_o="1508" data-src="https://freight.cargo.site/t/original/i/f6a26dac41490f91063506b5ef2237f476bc8a0f58c705a1374e4c8a3f339bf2/Screenshot-2026-03-10-at-15.31.31.png" data-mid="245849357" border="0" src="https://freight.cargo.site/w/1000/i/f6a26dac41490f91063506b5ef2237f476bc8a0f58c705a1374e4c8a3f339bf2/Screenshot-2026-03-10-at-15.31.31.png" /> <img width="1132" height="1462" width_o="1132" height_o="1462" data-src="https://freight.cargo.site/t/original/i/6bc700403fd80502c46a3f5e6e51035a7da6db68daed3627ced6deceaa5bb066/Screenshot-2026-03-10-at-15.31.21.png" data-mid="245849356" border="0" src="https://freight.cargo.site/w/1000/i/6bc700403fd80502c46a3f5e6e51035a7da6db68daed3627ced6deceaa5bb066/Screenshot-2026-03-10-at-15.31.21.png" /> TANK, Issue 105 Art, Propaganda and Resistance: ‘Self-Determination – A Global Perspective’ Irish Museum of Modern Art, Dublin Elephant Magazine‘Self-Determination’, a core principle of the post-1945 international legal order – defined as the right of peoples to freely determine their political status and enshrined in Article 1 of the UN Charter – might seem an inapt and unusual title for an art exhibition. It has a legalistic specificity, which seems somewhat out of place in a gallery. However, this seemingly unusual choice serves to underscore the multifaceted intersections between legal and artistic realms, challenging conventional boundaries and prompting a reevaluation of the ways in which legal concepts manifest within the context of art and culture. <img width="1772" height="1772" width_o="1772" height_o="1772" data-src="https://freight.cargo.site/t/original/i/a8cace9730c40895f7f826e7d651c6c45249d5234c64b769afbf55c9ba4e1b93/Dragana-Jurisic-YU-The-Lost-Country-5-2013-C-Print-100-x-100-cm-Courtesy-the-Artist.jpeg" data-mid="245855479" border="0" src="https://freight.cargo.site/w/1000/i/a8cace9730c40895f7f826e7d651c6c45249d5234c64b769afbf55c9ba4e1b93/Dragana-Jurisic-YU-The-Lost-Country-5-2013-C-Print-100-x-100-cm-Courtesy-the-Artist.jpeg" /> In Search of Władysław Broniewski Warsaw ArtReviewIn the late Polish poet’s preserved home, sculptures by the artist Kenji Ide discreetly inhabit the space – and transcend time <img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/936b1c29d0305a1dc35f88e0a9c848a811be893c78e410dfd29ecc13218172f9/2024_09_25-wschod1311-2048x1536.jpg" data-mid="245855363" border="0" src="https://freight.cargo.site/w/1000/i/936b1c29d0305a1dc35f88e0a9c848a811be893c78e410dfd29ecc13218172f9/2024_09_25-wschod1311-2048x1536.jpg" /> Sonia Boyce on the Political Sounds and Symbols of “Bella Ciao” Elephant Magazine“Bella Ciao” has long since transcended its context as the de facto anthem of the partisans of the Italian Resistance in World War II. It has been sung and adapted (and sometimes rewritten)&nbsp; by activists, trade unionists, and antifascists throughout the world, a universal protest anthem and a marker of antifascist political identity. In Sonia Boyce’s Benevolence at the Sala delle Capriate in the Palazzo della Ragione, in the heart of the old town of Bergamo, “Bella Ciao” echoes throughout the former courtroom, while six screens play a ten-minute looping video of three singers performing the piece in Bergamo’s main piazza. <img width="2270" height="1506" width_o="2270" height_o="1506" data-src="https://freight.cargo.site/t/original/i/f5b16ecb8ad3de2274107750d24acc89eb1e0a9b5b3756305feecd9fd6ba359c/Screenshot-2026-03-30-at-08.44.13.png" data-mid="246655869" border="0" src="https://freight.cargo.site/w/1000/i/f5b16ecb8ad3de2274107750d24acc89eb1e0a9b5b3756305feecd9fd6ba359c/Screenshot-2026-03-30-at-08.44.13.png" /> Man Like...&nbsp;Essay on the history of grime music and the ‘Man Like…’ show by Boy Jerome and C-Dyer at Harlesden High Street in The Toe Rag <img width="1028" height="1384" width_o="1028" height_o="1384" data-src="https://freight.cargo.site/t/original/i/39d0093394b23b907741ca9adf5e43c9c60f97fb212e7db43bda4ee7338e22ec/Screenshot-2026-03-30-at-08.46.39.png" data-mid="246655900" border="0" src="https://freight.cargo.site/w/1000/i/39d0093394b23b907741ca9adf5e43c9c60f97fb212e7db43bda4ee7338e22ec/Screenshot-2026-03-30-at-08.46.39.png" /> https://sofiahallstrom.com/Art-Culture Tue, 10 Mar 2026 11:37:04 +0000 sofia hallstrom https://sofiahallstrom.com/Art-Culture Nan GoldinThis Will Not End Well Pirelli HangarBicocca, MilanWallpaper* <img width="2258" height="1512" width_o="2258" height_o="1512" data-src="https://freight.cargo.site/t/original/i/d8ff762dadc9989f16b3a972e5f26249cea09b2c0f4aa0ebab05e43f2c5ae6b2/Screenshot-2026-03-10-at-16.51.01.png" data-mid="245854720" border="0" src="https://freight.cargo.site/w/1000/i/d8ff762dadc9989f16b3a972e5f26249cea09b2c0f4aa0ebab05e43f2c5ae6b2/Screenshot-2026-03-10-at-16.51.01.png" /> Berlin Atonal, the first biennial rooted in music and sound, pushes the boundaries of what ‘art’ can mean The Art Newspaper <img width="2276" height="1518" width_o="2276" height_o="1518" data-src="https://freight.cargo.site/t/original/i/1bf1d066f027f56828c5e8f412ff617909edb18db1a53d3dcd058e060da796a5/Screenshot-2026-03-10-at-17.01.38.png" data-mid="245855234" border="0" src="https://freight.cargo.site/w/1000/i/1bf1d066f027f56828c5e8f412ff617909edb18db1a53d3dcd058e060da796a5/Screenshot-2026-03-10-at-17.01.38.png" /> Alexandra Bachzetsis: RUSH(ES) Performance at The Hellenic Centre, London Art Monthly&nbsp;The choice of the Greek-Swiss artist Alexandra Bachzetsis to perform at the Hellenic Centre reads as a contemporary reflection on the ancient Greek understanding of orchestra, where the orchestris (female dancers) performed for elite male symposia; this work playfully pushes back at these boundaries. <img width="936" height="702" width_o="936" height_o="702" data-src="https://freight.cargo.site/t/original/i/cd9fa5fd53541718661fe9253df204ce303b62d2dbb62be820435eabb863fcc6/alexandra-bachzetsis-rushes2x.jpg" data-mid="245856155" border="0" src="https://freight.cargo.site/w/936/i/cd9fa5fd53541718661fe9253df204ce303b62d2dbb62be820435eabb863fcc6/alexandra-bachzetsis-rushes2x.jpg" /> Women by Women Interview with Lucy McKenzieZ33 in Hassalt, Belgium BOMB Magazine <img width="1082" height="1384" width_o="1082" height_o="1384" data-src="https://freight.cargo.site/t/original/i/95970c21bcde1c4fc9262a5b43809f8c3afb7f9623dcd828266339c16cd2dfb5/Screenshot-2026-03-10-at-16.02.44.png" data-mid="245851191" border="0" src="https://freight.cargo.site/w/1000/i/95970c21bcde1c4fc9262a5b43809f8c3afb7f9623dcd828266339c16cd2dfb5/Screenshot-2026-03-10-at-16.02.44.png" /> Nat Faulkner at Camden Art Centre review Flash Art Spring 2026&nbsp; <img width="1150" height="1536" width_o="1150" height_o="1536" data-src="https://freight.cargo.site/t/original/i/f17bb821adc53bdf1f730de4e9fa522ab65d01f9540408d15561b6747862884d/Screenshot-2026-03-12-at-10.15.30.png" data-mid="245924618" border="0" src="https://freight.cargo.site/w/1000/i/f17bb821adc53bdf1f730de4e9fa522ab65d01f9540408d15561b6747862884d/Screenshot-2026-03-12-at-10.15.30.png" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/cf09b451302633c86bc1ac341d9d2906d1163185a0be1f6696fbd5ac4530b96f/Installation-view-of-Nat-Faulkner-Strong-water-at-Camden-Art-Centre-2026.-Photo-credit-Rob-Harris.-Low-res-46.jpg" data-mid="245924619" border="0" src="https://freight.cargo.site/w/1000/i/cf09b451302633c86bc1ac341d9d2906d1163185a0be1f6696fbd5ac4530b96f/Installation-view-of-Nat-Faulkner-Strong-water-at-Camden-Art-Centre-2026.-Photo-credit-Rob-Harris.-Low-res-46.jpg" /> Interview with Matthew Stone As his extraordinary new show opens in New York, Matthew Stone talks about working with FKA Twigs, and the possibilities of paintingAnOther <img width="1500" height="750" width_o="1500" height_o="750" data-src="https://freight.cargo.site/t/original/i/a9a7f614139c941cd792cad566f88c00c2d5b7c7f5c3900e8bb1d846ae3253d9/fka2.jpeg" data-mid="246431175" border="0" src="https://freight.cargo.site/w/1000/i/a9a7f614139c941cd792cad566f88c00c2d5b7c7f5c3900e8bb1d846ae3253d9/fka2.jpeg" /> Rene Matić: out of place, just in time Art Basel Stories&nbsp;‘“The subversive potential of being out of place” is really what it all comes down to with my work,’ London-based artist Rene Matić tells me, quoting feminist writer Sara Ahmed, during a recent studio visit. <img width="2400" height="1500" width_o="2400" height_o="1500" data-src="https://freight.cargo.site/t/original/i/bcade16f3b3c903554efa57e7c222d4b26f6a6819c7b187f653f85f0b5ee8d3a/Rene_Matic_British_Photographer_on_the_rise_8.png.jpeg" data-mid="245854866" border="0" src="https://freight.cargo.site/w/1000/i/bcade16f3b3c903554efa57e7c222d4b26f6a6819c7b187f653f85f0b5ee8d3a/Rene_Matic_British_Photographer_on_the_rise_8.png.jpeg" /> Stitching Stories: Inside Delaine Le Bas’ World. Tramway, Glasgow Ocula'Why is it that we all know and understand who Mickey Mouse is, but we don't all know about the Universal Declaration of Human Rights?' asks 2024 Turner Prize nominee Delaine Le Bas. <img width="2694" height="1514" width_o="2694" height_o="1514" data-src="https://freight.cargo.site/t/original/i/49d1c1ef83cbd75bc40c12892e5802662c924141042671a3835695afca48f887/Screenshot-2026-03-10-at-18.14.16.png" data-mid="245857375" border="0" src="https://freight.cargo.site/w/1000/i/49d1c1ef83cbd75bc40c12892e5802662c924141042671a3835695afca48f887/Screenshot-2026-03-10-at-18.14.16.png" /> Art Basel Paris for i-DInterviews with Miles Greenberg, Pilar Corrias and Sadie Coles&nbsp; <img width="870" height="1136" width_o="870" height_o="1136" data-src="https://freight.cargo.site/t/original/i/152848da6e6a7f7df2563ca5974da213b0b0453ef2c3b997cb530ee8005345f0/Screenshot-2026-03-10-at-16.53.12.png" data-mid="245854768" border="0" src="https://freight.cargo.site/w/870/i/152848da6e6a7f7df2563ca5974da213b0b0453ef2c3b997cb530ee8005345f0/Screenshot-2026-03-10-at-16.53.12.png" /> Review of Ed Atkins at Tate BritainFunny, clever and deeply moving, this career-spanning exhibition explores the essence of being human in an age of AI-generated faces and digital avatars TimeOut London <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/79536663c51b164c290e845b107cbb33a8d6217129a5b6526326dda69d45da8d/image-copy.jpg" data-mid="246431221" border="0" src="https://freight.cargo.site/w/1000/i/79536663c51b164c290e845b107cbb33a8d6217129a5b6526326dda69d45da8d/image-copy.jpg" /> Review of Nora Turato at ICAAt first encounter, Croatian-born Nora Turato’s solo exhibition pool7 at the ICA in London appears sparse, offering little of the spectacle we might expect from a contemporary installation.TimeOut London&nbsp; <img width="715" height="477" width_o="715" height_o="477" data-src="https://freight.cargo.site/t/original/i/5fdd54b1a498b49c048ccc86e662556e4cd895de6d3d743a911406c1c99f5b4c/11020.jpg" data-mid="246431241" border="0" src="https://freight.cargo.site/w/715/i/5fdd54b1a498b49c048ccc86e662556e4cd895de6d3d743a911406c1c99f5b4c/11020.jpg" /> Fresh Window: The Art of Display &amp; Display of Art at Museum Tinguely Basel, Switzerland émergent magazine <img width="1191" height="1767" width_o="1191" height_o="1767" data-src="https://freight.cargo.site/t/original/i/6a390a02dd8cdf59989b03eca81b78253e94077ec8bc67912ee10a075725c286/680cc90f0baa495455702bad_03_MT_FreshWindow_Lynn-HershmanLeeson_OhneTitel_email.jpg" data-mid="245850922" border="0" src="https://freight.cargo.site/w/1000/i/6a390a02dd8cdf59989b03eca81b78253e94077ec8bc67912ee10a075725c286/680cc90f0baa495455702bad_03_MT_FreshWindow_Lynn-HershmanLeeson_OhneTitel_email.jpg" /> Interview with Carment Winant My Mother and EyeAnOther Magazine“At 18, I never saw my mother as anything but my mother. I didn’t think of her as a young woman with her own history, her own struggles,” artist Carmen Winant says. “I hadn’t even realised she took a road trip at my age. That awareness only comes later, when you start to see yourself in the past she lived.” I’m speaking with Winant from her home and studio in Ohio over Zoom. We are discussing her latest project, My Mother and Eye, a series of collaged photographs displayed across 300 JCDecaux bus shelters in New York, Chicago, and Boston. Drawing from archival images taken during her mother’s cross-country road trip across the States in 1969 and Winant’s own road-trip at 17, the project layers two histories into a single visual dialogue. <img width="1058" height="1536" width_o="1058" height_o="1536" data-src="https://freight.cargo.site/t/original/i/ef76318d4c4f96db3743eb68ea6287d780c68b384eeecddd0ba9113ada42a954/Screenshot-2026-03-12-at-10.31.47.png" data-mid="245924997" border="0" src="https://freight.cargo.site/w/1000/i/ef76318d4c4f96db3743eb68ea6287d780c68b384eeecddd0ba9113ada42a954/Screenshot-2026-03-12-at-10.31.47.png" /> Interview with Monster Chetwynd&nbsp; BOMB MagazineFour-foot-tall salamanders, frogs, dragonflies, and other pond life populate a disused train platform at a London tube station, confronting unsuspecting passersby and commuters. Former Turner Prize–nominee Monster Chetwynd’s Art on the Underground commission titled Pond Life: Albertopolis and the Lily (2023–24) brings together sculpture, performance, and film, addressing pressing global matters through exuberant performances that seamlessly extend beyond the confines of the gallery space. <img width="1400" height="934" width_o="1400" height_o="934" data-src="https://freight.cargo.site/t/original/i/d38fc276f59d42c28aea0a3719c9b879b3dee02dc9a8d9109e509d6591d256d3/Pond-Life-Albertopolis-and-the-Lily-Monster-Chetwynd1.jpg" data-mid="245857292" border="0" src="https://freight.cargo.site/w/1000/i/d38fc276f59d42c28aea0a3719c9b879b3dee02dc9a8d9109e509d6591d256d3/Pond-Life-Albertopolis-and-the-Lily-Monster-Chetwynd1.jpg" /> Women by Women series Interview with Hildigunnur Birgisdóttir BOMB MagazineMaking a mess of value. <img width="1400" height="1867" width_o="1400" height_o="1867" data-src="https://freight.cargo.site/t/original/i/8531707ed684ae9775162cde4a0f0051c895ce028eefdc4a2fd90a7a50e6d0fe/Hildigunnur-Birgisdottir-6-1-green-1_2024-10-23-182559_sqki.jpg" data-mid="245857324" border="0" src="https://freight.cargo.site/w/1000/i/8531707ed684ae9775162cde4a0f0051c895ce028eefdc4a2fd90a7a50e6d0fe/Hildigunnur-Birgisdottir-6-1-green-1_2024-10-23-182559_sqki.jpg" /> Interview with&nbsp;Marcus LeotaudDrawing from found images, film stills, religious iconography and personal photographs, Marcus Leotaud’s new paintings focus on the twilight hour as a metaphor for the in-between AnOther <img width="2000" height="1505" width_o="2000" height_o="1505" data-src="https://freight.cargo.site/t/original/i/24bbd7cc253681435804946521cb7c18bab13535503f2fbaf23af5c8c3a661ce/460156.jpeg" data-mid="246430912" border="0" src="https://freight.cargo.site/w/1000/i/24bbd7cc253681435804946521cb7c18bab13535503f2fbaf23af5c8c3a661ce/460156.jpeg" /> https://sofiahallstrom.com/Fashion-Design Tue, 10 Mar 2026 13:21:27 +0000 sofia hallstrom https://sofiahallstrom.com/Fashion-Design The Antwerp Six and the Problem of Now ArtReviewA new exhibition traces the legacy of the visionary Belgian fashion designers, asking what it takes for creativity to flourish today <img width="1536" height="1102" width_o="1536" height_o="1102" data-src="https://freight.cargo.site/t/original/i/254b544058a1d80de60e66c729120a3887e9fbbc01e4d5192b13fd5e0685ef54/04-The-Antwerp-Six-1987-published-in-WWD--Photo_-Philippe-Costes-1536x1102.jpg" data-mid="247625212" border="0" src="https://freight.cargo.site/w/1000/i/254b544058a1d80de60e66c729120a3887e9fbbc01e4d5192b13fd5e0685ef54/04-The-Antwerp-Six-1987-published-in-WWD--Photo_-Philippe-Costes-1536x1102.jpg" /> Interview with Dozie KanuAnOther&nbsp; Drawing on his Nigerian and Texan heritage and the weight of a personal history, Kanu tells us about his first commercial furniture collaboration with Knoll, which will be presented at Salone del Mobile later this month <img width="1096" height="1390" width_o="1096" height_o="1390" data-src="https://freight.cargo.site/t/original/i/dd562ad3eec2115a4c453fb8cf9e9f0a492ac593077de76f2fd19014295dda61/Screenshot-2026-04-27-at-16.17.49.png" data-mid="247625223" border="0" src="https://freight.cargo.site/w/1000/i/dd562ad3eec2115a4c453fb8cf9e9f0a492ac593077de76f2fd19014295dda61/Screenshot-2026-04-27-at-16.17.49.png" /> 10 visionary jewellery designers to know now Wallpaper*From London to Lahore, New York, Paris, Milan, and Cornwall, some of today's most visionary jewellery designers are deeply attuned to the landscapes around them. Whether translating street signs, folkloric symbols, or everyday objects into elaborate and detailed design forms or using textured surfaces sourced from their immediate surroundings, they employ techniques that range from hand-carved wax and woven silver to pressed pennies and repurposed machinery. Each designer works with metal, stone, and found objects to create pieces that are at once delicate and boldly modern, drawing on a rich seam of references from design and art history, to cinema and costume. <img width="1119" height="1178" width_o="1119" height_o="1178" data-src="https://freight.cargo.site/t/original/i/aca4eea8ad0e90ea71363393bebb8c286a9e2c2a3a167f371d66b69515ab11f8/IMG_1348.jpeg" data-mid="246821153" border="0" src="https://freight.cargo.site/w/1000/i/aca4eea8ad0e90ea71363393bebb8c286a9e2c2a3a167f371d66b69515ab11f8/IMG_1348.jpeg" /> Interview with Inez &amp; Vinoodh Can Love Be a Photograph at the Kunstmuseum Den Haag Wallpaper* <img width="1600" height="981" width_o="1600" height_o="981" data-src="https://freight.cargo.site/t/original/i/1b3b5f503b6e6955a3837f2c706941477caadbc4aa18501ff4acad9fe4226718/YGKRNisjVhYCexKq8YnzkY.gif" data-mid="246430495" border="0" src="https://freight.cargo.site/w/1000/i/1b3b5f503b6e6955a3837f2c706941477caadbc4aa18501ff4acad9fe4226718/YGKRNisjVhYCexKq8YnzkY.gif" /> Interview with Collier Schorr Problems and other stories at Modern Art in Paris AnOther <img width="2000" height="2635" width_o="2000" height_o="2635" data-src="https://freight.cargo.site/t/original/i/a365eb845e4cbf5ed601ef0135a75f552dc95db8560a34c58a9ceb266c392552/471673.jpeg" data-mid="246430521" border="0" src="https://freight.cargo.site/w/1000/i/a365eb845e4cbf5ed601ef0135a75f552dc95db8560a34c58a9ceb266c392552/471673.jpeg" /> ‘Nothing is Permanent’ Interview with Helmut Lang for Frieze&nbsp;Inside Helmut Lang’s fashion archive in Vienna, which still defines how we dress today Wallpaper*&nbsp; <img width="4724" height="3151" width_o="4724" height_o="3151" data-src="https://freight.cargo.site/t/original/i/c630b7cfbb3a0670ac8526808d49f8b7d5e52f01d8b02f2c381c01b6eb90efa7/5_MAK_Ausstellungsansicht_2025.jpg" data-mid="245851820" border="0" src="https://freight.cargo.site/w/1000/i/c630b7cfbb3a0670ac8526808d49f8b7d5e52f01d8b02f2c381c01b6eb90efa7/5_MAK_Ausstellungsansicht_2025.jpg" /> Dirty Looks Barbican exhibition explores fashion’s filthy history British Vogue&nbsp; <img width="1230" height="1872" width_o="1230" height_o="1872" data-src="https://freight.cargo.site/t/original/i/a7685d4cfca1cfb5f7b7bebd2d19430d0b173b27268ebc59dc0be5e0d3f50a3a/Hussein-Chalayan-Temporary-Interference-Spring-Summer-1995.-Courtesy-of-Niall-McInerney-Bloomsbury-Launchmetrics-Spotlight-copy-1230x1872.jpg" data-mid="245855239" border="0" src="https://freight.cargo.site/w/1000/i/a7685d4cfca1cfb5f7b7bebd2d19430d0b173b27268ebc59dc0be5e0d3f50a3a/Hussein-Chalayan-Temporary-Interference-Spring-Summer-1995.-Courtesy-of-Niall-McInerney-Bloomsbury-Launchmetrics-Spotlight-copy-1230x1872.jpg" /> In filmmaker Joanna Hogg’s world, a handbag is the best leading woman Miu Miu Women’s Tales The Face <img width="1400" height="1518" width_o="1400" height_o="1518" data-src="https://freight.cargo.site/t/original/i/7ec331c676d36e17ba8fd5a5c05943d17eb51347e783d756df4cf445cab97dcf/Screenshot-2026-03-10-at-16.47.09.png" data-mid="245854179" border="0" src="https://freight.cargo.site/w/1000/i/7ec331c676d36e17ba8fd5a5c05943d17eb51347e783d756df4cf445cab97dcf/Screenshot-2026-03-10-at-16.47.09.png" /> ‘Tragedy, humour, beauty, absurdity’ Interview with Juergen Teller&nbsp; Onassis Ready, Athens Dazed&nbsp; <img width="1150" height="1526" width_o="1150" height_o="1526" data-src="https://freight.cargo.site/t/original/i/71cde77fc6aa9d51914e2c165791b986aa9bd9a0be3ab9521188cd38d3d88151/Screenshot-2026-03-10-at-17.48.37.png" data-mid="245856166" border="0" src="https://freight.cargo.site/w/1000/i/71cde77fc6aa9d51914e2c165791b986aa9bd9a0be3ab9521188cd38d3d88151/Screenshot-2026-03-10-at-17.48.37.png" /> A Frieze feast for friends cooked up by Jago Rackham The Face <img width="2560" height="1516" width_o="2560" height_o="1516" data-src="https://freight.cargo.site/t/original/i/04629c348d0680cbce66160d01ac3e7149745d88db79637edc8c5310e09df857/Screenshot-2026-03-10-at-16.48.49.png" data-mid="245854670" border="0" src="https://freight.cargo.site/w/1000/i/04629c348d0680cbce66160d01ac3e7149745d88db79637edc8c5310e09df857/Screenshot-2026-03-10-at-16.48.49.png" /> Nine Central Saint Martins students and alumni reshape the forms and purposes of fashion photographyBritish Journal of Photography&nbsp; <img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/02407182362625168d850979274232c58edbd01094e996df48b3db42a43de5e0/Xueling_Chen-2.jpg" data-mid="246430735" border="0" src="https://freight.cargo.site/w/1000/i/02407182362625168d850979274232c58edbd01094e996df48b3db42a43de5e0/Xueling_Chen-2.jpg" /> Interview with&nbsp;Davit Giorgadze One Photographer’s Rich, Conflicted Portrait of Georgia AnOther Magazine <img width="1029" height="700" width_o="1029" height_o="700" data-src="https://freight.cargo.site/t/original/i/0206dfee86134cff70f33ed30b2e59ca329ce2ecaf8dd086345d55f84b2843e0/461822.jpeg" data-mid="246430902" border="0" src="https://freight.cargo.site/w/1000/i/0206dfee86134cff70f33ed30b2e59ca329ce2ecaf8dd086345d55f84b2843e0/461822.jpeg" /> https://sofiahallstrom.com/Radio-Broadcasting Tue, 10 Mar 2026 13:21:43 +0000 sofia hallstrom https://sofiahallstrom.com/Radio-Broadcasting Glasgow International 2024In this programme, Sofia takes listeners through Glasgow’s car parks, orchards, exhibition spaces, and industrial estates with sounds, music and interviews from GI 2024. She interviews artist and founder of Earshot – the world’s first not-for-profit organisation dedicated to the study of audio for human rights and environmental advocacy – Lawrence Abu Hamdan to discuss ‘Air Pressure’, Abu Hamdan’s live audio essay which examines the effects of Israeli airspace violations. Sofia also sits down with artist Alexis Kyle Mitchell, to discuss ‘The Treasury of Human Inheritance’, a personal film about her family's battle with myotonic dystrophy. Next, she speaks with Thomas Abercromby and The School of Mutants, Lisette May Monroe from Rosie’s Disobedient Press, Mina Heyday-Waite, Reiko Goto Collins, Bobbi Cameron &amp; Owain Train McGilvary, Tako Taal, Susan Phillipz and students from Glasgow and Dresden Schools of Art, Joey Simons, Alexis Kyle Mitchell, Rabindranth X Bhose &amp; Belladonna Paloma &amp; Oren Shoesmith and performance group, STASIS. Listen to the programme here: https://radio.montezpress.com/#/show/3508&nbsp; <img width="950" height="946" width_o="950" height_o="946" data-src="https://freight.cargo.site/t/original/i/f58aa8cf9f9b31b930aeb6602661a4ca0ec83899abe0e04d0ba3739cf04c91d1/Screenshot-2026-03-10-at-16.12.39.png" data-mid="245851322" border="0" src="https://freight.cargo.site/w/950/i/f58aa8cf9f9b31b930aeb6602661a4ca0ec83899abe0e04d0ba3739cf04c91d1/Screenshot-2026-03-10-at-16.12.39.png" /> Metroland Cultures, 2025 Metroland Cultures is an artist community housed in a former NHS health clinic and disused council building in Kilburn, providing free studio space and support enabling artists to sustain their creative practices despite the pressures of London’s increasing property prices, shrinking studio spaces, and funding cuts.In the programme, Sofia speaks with Linett Kamala known as Notting Hill Carnival’s ‘Sound System Queen’; artist Francesca Telling ; the collective Other Cinemas led by Arwa Aburawa and Turab Shah which supports Black and non-white filmmakers; and Tom James whose project Absolute Beginners teaches young people to create practical, sustainable products. Insights are also shared by Lizzie Graham, programme curator; Louise Shelley, deputy director; and Christy O'Beirne, assistant curator. Our conversations explore the significance of working in a space once dedicated to care, Brent’s history of community resistance such as the 1970s Grunwick strikes, and the cultural power of music.Listen back on:&nbsp;https://radio.montezpress.com/#/show/3659 <img width="1014" height="1012" width_o="1014" height_o="1012" data-src="https://freight.cargo.site/t/original/i/71a5aa9196f52bdcf82a540222442d91e83c2ae6a39bcba46bf15d20c8194eab/Screenshot-2026-03-10-at-16.11.56.png" data-mid="245851334" border="0" src="https://freight.cargo.site/w/1000/i/71a5aa9196f52bdcf82a540222442d91e83c2ae6a39bcba46bf15d20c8194eab/Screenshot-2026-03-10-at-16.11.56.png" /> Linder Sterling at Hayward GalleryAn exhibition walk through with punk queen Linder inside her retrospective, ‘Linder: Danger Came Smiling’, at Hayward Gallery in London Linder Sterling has spent decades challenging norms, disrupting societal expectations, and reshaping feminist discourse through her provocative and multifaceted artistic practice. From her roots in the 1970s Manchester punk scene to her photomontages, performance, music, and fashion, Linder’s work continues to provoke thought and critique societal constructs around gender, identity, and representation. In this programme, Linder will walk listeners through her largest retrospective to date at the Hayward Gallery in London, Danger Came Smiling. The exhibition spans 50 years of work, exploring the evolution of pornography, the interplay between feminism and glamour, the impact of AI on art, and her experiments with deep fakes, as well as her punk origins and The Hayward’s brutalist architecture as the ideal stage for her work. With anecdotes from her career and insights into her future work, this program is both a celebration and a critique of glamour, art, and the worlds they inhabit. Listen online:&nbsp;https://radio.montezpress.com/#/show/3677 <img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c345a438fa91c823aa949c66b967b2045445e22d295d489e584e7657137a471e/2025_02_20__03_thumb.jpg" data-mid="245856313" border="0" src="https://freight.cargo.site/w/1000/i/c345a438fa91c823aa949c66b967b2045445e22d295d489e584e7657137a471e/2025_02_20__03_thumb.jpg" /> https://sofiahallstrom.com/Fashion-Politics Tue, 10 Mar 2026 11:24:40 +0000 sofia hallstrom https://sofiahallstrom.com/Fashion-Politics Thread Memory: Embroidery from Palestine at the V&amp;A Dundee, until 26 April 2026 Essay in Wallpaper*&nbsp; ‘In memory there is defiance’: inside the V&amp;A exhibition exploring Palestinian textile and embroidery as an act of resistance.&nbsp;Amid the ongoing devastation in Gaza, a new exhibition at V&amp;A Dundee explores Palestinian textiles, embroidery and garments as a means to tell personal and communal histories <img width="700" height="1005" width_o="700" height_o="1005" data-src="https://freight.cargo.site/t/original/i/eadd701065a4e0c84cf8b9179d1e0d74c4de920ce1bf46540e2e3d48a279ed1e/7144_ca_object_representations_media_7163_large.jpg" data-mid="245850559" border="0" src="https://freight.cargo.site/w/700/i/eadd701065a4e0c84cf8b9179d1e0d74c4de920ce1bf46540e2e3d48a279ed1e/7144_ca_object_representations_media_7163_large.jpg" /> <img width="722" height="1035" width_o="722" height_o="1035" data-src="https://freight.cargo.site/t/original/i/9b791677268a600ddfc9ac3efbf5cd1f790c629d0114611fcf35f1439cfc4470/38932_display.jpg" data-mid="245850543" border="0" src="https://freight.cargo.site/w/722/i/9b791677268a600ddfc9ac3efbf5cd1f790c629d0114611fcf35f1439cfc4470/38932_display.jpg" /> <img width="1090" height="1468" width_o="1090" height_o="1468" data-src="https://freight.cargo.site/t/original/i/0cb8a57949bf499024d62c39f72ce9ee30fd5ec0e1ee84bb2c3bfa87b014d37a/Screenshot-2026-03-10-at-15.48.34.png" data-mid="245850564" border="0" src="https://freight.cargo.site/w/1000/i/0cb8a57949bf499024d62c39f72ce9ee30fd5ec0e1ee84bb2c3bfa87b014d37a/Screenshot-2026-03-10-at-15.48.34.png" /> <img width="700" height="1100" width_o="700" height_o="1100" data-src="https://freight.cargo.site/t/original/i/677727e80a270cbd679c9d1e6089a3828fcddfe1690e7acdfb05a41a13a91dc4/76586_ca_object_representations_media_90055_large.jpg" data-mid="245850562" border="0" src="https://freight.cargo.site/w/700/i/677727e80a270cbd679c9d1e6089a3828fcddfe1690e7acdfb05a41a13a91dc4/76586_ca_object_representations_media_90055_large.jpg" /> 24–09–2024 https://sofiahallstrom.com/Politics-Film Tue, 10 Mar 2026 11:24:41 +0000 sofia hallstrom https://sofiahallstrom.com/Politics-Film Iranian New Wave Cinema Barbican Cinemas&nbsp; February - March 2026A Rabbit’s Foot article&nbsp; <img width="1916" height="1500" width_o="1916" height_o="1500" data-src="https://freight.cargo.site/t/original/i/dd6b8ca050469b29e11872c1c68af568b4d0b5e6cb32c12a06627cb38f35680d/Screenshot-2026-03-10-at-16.09.30.png" data-mid="245851239" border="0" src="https://freight.cargo.site/w/1000/i/dd6b8ca050469b29e11872c1c68af568b4d0b5e6cb32c12a06627cb38f35680d/Screenshot-2026-03-10-at-16.09.30.png" />The Ballad of Tara, dir Bahram Bayzai, 1979 <img width="2698" height="1510" width_o="2698" height_o="1510" data-src="https://freight.cargo.site/t/original/i/3290146d7de5e033569e74a9e76eb6012b59b636560c92b4ec024a1a1bebab16/Screenshot-2026-03-10-at-16.09.42.png" data-mid="245851267" border="0" src="https://freight.cargo.site/w/1000/i/3290146d7de5e033569e74a9e76eb6012b59b636560c92b4ec024a1a1bebab16/Screenshot-2026-03-10-at-16.09.42.png" /> A Wedding Suit, dir Abbas Kiarostami, 1976 Images in exile: a new Barbican season explores the afterlife of the Iranian New WaveAs a new season of Iranian New Wave Cinema gets underway at the Barbican, writer Sofia Hallström considers how the films—many of which were victim to censorship when they were released—have an aesthetic and political importance that is more urgent than ever. <img width="1663" height="1124" width_o="1663" height_o="1124" data-src="https://freight.cargo.site/t/original/i/7018de6a1946e6a891bbc8abcf8cb858fcd1f202666cbd926d4e1ff2365c417b/The-Postman-c-Cineteca-di-Bologna.jpg" data-mid="245851237" border="0" src="https://freight.cargo.site/w/1000/i/7018de6a1946e6a891bbc8abcf8cb858fcd1f202666cbd926d4e1ff2365c417b/The-Postman-c-Cineteca-di-Bologna.jpg" />The Postman, dir Dariush Mehrjui, 1972 Fashion in Film Festival: What Does it Mean to Dress as the Planet Burns?AnOther Magazine <img width="2066" height="1368" width_o="2066" height_o="1368" data-src="https://freight.cargo.site/t/original/i/4568dfde93e82946e76ec9f985b1505e7778051a23dabb848404b61c33351a0c/Screenshot-2026-03-10-at-16.28.35.png" data-mid="245851515" border="0" src="https://freight.cargo.site/w/1000/i/4568dfde93e82946e76ec9f985b1505e7778051a23dabb848404b61c33351a0c/Screenshot-2026-03-10-at-16.28.35.png" />A Butterfly's Metamorphoses (Métamorphoses du Papillon), Gaston Velle, 1904 (Film still) <img width="1500" height="981" width_o="1500" height_o="981" data-src="https://freight.cargo.site/t/original/i/e87a480dfded27d2af42f9721d6c809fb9c9d586a5c663f9cf7742097e6f9738/461066.jpg" data-mid="245851514" border="0" src="https://freight.cargo.site/w/1000/i/e87a480dfded27d2af42f9721d6c809fb9c9d586a5c663f9cf7742097e6f9738/461066.jpg" /> Under Snow (Unter Schnee), 2011 (Film still) https://sofiahallstrom.com/Videos-Exhibition Sun, 17 Mar 2024 13:11:37 +0000 sofia hallstrom https://sofiahallstrom.com/Videos-Exhibition New Year’s Day, video for lost nye 2025 &nbsp; Diverso, Screening for Circa, Piccadilly Circus <img width="2560" height="1530" width_o="2560" height_o="1530" data-src="https://freight.cargo.site/t/original/i/fd49f2dcf2eabf93a7e7f7476bcc31cfc475aabb8e7a587d37705eb8f7fd658a/Screen-Shot-2021-08-30-at-12.57.30.png" data-mid="246094939" border="0" src="https://freight.cargo.site/w/1000/i/fd49f2dcf2eabf93a7e7f7476bcc31cfc475aabb8e7a587d37705eb8f7fd658a/Screen-Shot-2021-08-30-at-12.57.30.png" /> Porous Cities&nbsp;at Feria, Marseille <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/5435dfe712ee4be0e4c078b013ffc919da04b26c83ecebb68df6cef4d0bf6495/1_SouthParade_feria_Marseille_2023.jpg" data-mid="206965377" border="0" src="https://freight.cargo.site/w/1000/i/5435dfe712ee4be0e4c078b013ffc919da04b26c83ecebb68df6cef4d0bf6495/1_SouthParade_feria_Marseille_2023.jpg" /> Porous CitiesSouth Parade at Feria, Marseille Organised by Sofia Hallström 30 August - 9 September 2023 32 Rue du Baignoir, Marseille, 13001 Waj Hussain, Luca Longhi, Elijah Maja, Ryder Morey-Weale, SAGG Napoli, REDEYE, Sofia Hallström &amp; Camille Yvert “...streets are the dwelling place of the collective. The collective is an eternally unquiet, eternally agitated being that–in the space between the building fronts–experiences, learns, understands, and invents.” – Walter Benjamin “The porous city is a city in which nothing moves forward on straight lines, through ruptures.” – Massimo Cacciari Accompanying its participation in Marseille’s Art-O-Rama, South Parade presents Porous Cities at Feria; an exchange between London and Marseille. We tend to categorise aspects of life and society: night and day, housing and work, reproduction and production. Cities mirror these divisions, often lacking transitional spaces, marked by zones and fixed boundaries. In the 20th century, Walter Benjamin extensively explored urban loneliness and disconnection. Yet, he also saw cities as experimental, providing insights into improved lifestyles. Referencing cities like Marseille, Moscow, and Naples as "dispersed, porous, commingled" sites, he highlighted their capacity for unexpected or surprising connections. Urban transitional spaces—caves, courtyards, arcades—fuelled idea-sharing, cultural exchange, and community bonding. Using Benjamin’s writing as a departure point, this exhibition draws together artists who explore the city – community, ritual and history — through process, material and subject. Camille Yvert’s sound and text work uses the car as a symbol to bridge technology and emotion. A second skin; a utopian extension of our anatomy, it is intertwined with global mobility. Elijah Maja explores the pace of a city, of a landscape, of speech. His interest in call and response as a technology for inquiry, encounter and memory is central to his sound and moving image work. In a similar vein, patterns in human communication is a point of departure for SAGG Napoli. Playfully tongue-and-cheek, her focus on Italy’s internal colonialism introduces complex questions in her work, which she confronts through a feminist lens. Ryder Morey-Weale takes from his immediate surroundings. Using salvaged cardboard and other discarded materials, his free-standing and wall based works are speckled with naturalised moths and dried plants, a reminder of humans’ intertwined relationship with nature. Sofia Hallström draws from images, objects, and motifs from a wide range of historical moments and contexts; within them she explores the frictions between public and private space. Luca Longhi's archival approach captures overlooked spaces—kitchens, cafes, construction sites—melding symbols with architectural details, unravelling their interconnected signs and layers. Collage, layered symbols and signs are similarly explored in Waj Hussain’s work. Engaging in the 'cut-up' technique using text from gay magazines, his work adds a playful challenge to conventional gallery norms. Extending out of the gallery space, REDEYE plays a role in fostering cultural exchange within the city by amplifying underrepresented voices through their monthly film screenings. A live programme of screenings programmed by REDEYE extends the exhibition to include, amongst other concerns, modular architecture, the domestic in narrative film and fiction. <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/ff83d0db4d60a47f46a4d464c1a1106a998a20390dfe26ee930ad4f927ebce3c/4_SouthParade_feria_Marseille_2023.jpg" data-mid="206965376" border="0" src="https://freight.cargo.site/w/1000/i/ff83d0db4d60a47f46a4d464c1a1106a998a20390dfe26ee930ad4f927ebce3c/4_SouthParade_feria_Marseille_2023.jpg" /> Installation view <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/cc44b7dfa23bece754495ffe3bec88a7f36b5c4020958f0588e889971c2ac6c7/5_SouthParade_feria_Marseille_2023.jpg" data-mid="206965381" border="0" src="https://freight.cargo.site/w/1000/i/cc44b7dfa23bece754495ffe3bec88a7f36b5c4020958f0588e889971c2ac6c7/5_SouthParade_feria_Marseille_2023.jpg" /> Installation view Virtual exhibition of the show, each work placed into a new landscape, a different city space Sofia Hallstrom, Porous Cities, Duration: 05m 05s <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/5c5679bc7c33642224c56e5149985256709c0750640344223fba8187eedebc73/6_SouthParade_feria_Marseille_2023.jpg" data-mid="206965372" border="0" src="https://freight.cargo.site/w/1000/i/5c5679bc7c33642224c56e5149985256709c0750640344223fba8187eedebc73/6_SouthParade_feria_Marseille_2023.jpg" /> Waj Hussain, menace of the sex deviate, 2023. Card, paper, spray paint, ink, dimensions variable <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/ff83d0db4d60a47f46a4d464c1a1106a998a20390dfe26ee930ad4f927ebce3c/4_SouthParade_feria_Marseille_2023.jpg" data-mid="206965376" border="0" src="https://freight.cargo.site/w/1000/i/ff83d0db4d60a47f46a4d464c1a1106a998a20390dfe26ee930ad4f927ebce3c/4_SouthParade_feria_Marseille_2023.jpg" />Installation view <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/084044c7976ceba2410d35478a0c660212c8b2e4b1cb89f923bcd07915521e46/13_SouthParade_feria_Marseille_2023.jpg" data-mid="206965370" border="0" src="https://freight.cargo.site/w/1000/i/084044c7976ceba2410d35478a0c660212c8b2e4b1cb89f923bcd07915521e46/13_SouthParade_feria_Marseille_2023.jpg" /> Ryder Morey-Weale𝘚𝘩𝘪𝘧𝘵𝘦𝘳𝘴 (𝘊𝘺𝘳𝘦𝘴𝘵𝘪𝘴 𝘤𝘢𝘮𝘪𝘭𝘭𝘶𝘴 𝘦𝘭𝘦𝘨𝘢𝘯𝘴, 𝘊𝘶𝘳𝘦𝘵𝘪𝘴 𝘢𝘤𝘶𝘵𝘢, 𝘊𝘺𝘮𝘰𝘵𝘩𝘰𝘦 𝘤𝘢𝘦𝘯𝘪𝘴, 𝘕𝘦𝘱𝘩𝘦𝘳𝘰𝘯𝘪𝘢 𝘢𝘳𝘨𝘪𝘢 𝘢𝘳𝘨𝘪𝘢)2023Naturalised Lepidoptera, packaging materials, aluminium dibond sheet55 x 75 cm <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/271f03c5f57f7f9531e57e6347156771d85ecbfaf6c67d50f31eeb97100cd419/11_SouthParade_feria_Marseille_2023.jpg" data-mid="206965369" border="0" src="https://freight.cargo.site/w/1000/i/271f03c5f57f7f9531e57e6347156771d85ecbfaf6c67d50f31eeb97100cd419/11_SouthParade_feria_Marseille_2023.jpg" /> Ryder Morey-Weale, Ailanthus, 2023. Dried ailanthus altissima, sand, gravel, cement, cardboard, plaster, metal, dimensions variable <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/824ddbe205fcef2a0116aa2c1f552b40941bfa19229789d96523ee0a68f37814/19_SouthParade_feria_Marseille_2023.jpg" data-mid="206965375" border="0" src="https://freight.cargo.site/w/1000/i/824ddbe205fcef2a0116aa2c1f552b40941bfa19229789d96523ee0a68f37814/19_SouthParade_feria_Marseille_2023.jpg" /> Luca Longhi, 𝘉𝘦𝘯𝘦2023Tiles, grout, wood, oil, acrylic, wood stain, gaffer tape70 x 50 x 6 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/143f0a916f28f57d496b8ea7a9325e9b3e5d2c431059a39fd89e4e315d268300/15_SouthParade_feria_Marseille_2023.jpg" data-mid="206965378" border="0" src="https://freight.cargo.site/w/1000/i/143f0a916f28f57d496b8ea7a9325e9b3e5d2c431059a39fd89e4e315d268300/15_SouthParade_feria_Marseille_2023.jpg" /> Sofia Hallström, Quadrant I, 2021. Oil on panel, 96 x 98 cm <img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/63911ec2dce69826f5cb57c9371265c86155936174c6a5c46deb8a054d659a36/16_SouthParade_feria_Marseille_2023.jpg" data-mid="206965371" border="0" src="https://freight.cargo.site/w/1000/i/63911ec2dce69826f5cb57c9371265c86155936174c6a5c46deb8a054d659a36/16_SouthParade_feria_Marseille_2023.jpg" /> Elijah Maja, Rubicon, 2022, Colour Video, sound. Duration: 05m 09s <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/e6379dc1c45a01cb11d18623e247893bb215df317d3c264b3d2ac47a07ad2a6d/18_SouthParade_feria_Marseille_2023.jpg" data-mid="206965373" border="0" src="https://freight.cargo.site/w/1000/i/e6379dc1c45a01cb11d18623e247893bb215df317d3c264b3d2ac47a07ad2a6d/18_SouthParade_feria_Marseille_2023.jpg" /> Camille Yvert𝘙𝘦𝘵𝘳𝘢𝘤𝘵𝘢𝘣𝘭𝘦 𝘎𝘰𝘥𝘥𝘦𝘴𝘴 / 𝘋𝘦́𝘦𝘴𝘴𝘦 𝘙𝘦́𝘵𝘳𝘢𝘤𝘵𝘢𝘣𝘭𝘦2023Audio, text workDuration: 05m 09s Solo exhibition at&nbsp;Good Weather, Chicago (2023) Floor 4, Room 4081524 S. Western Ave.Ste. 411–412, Building AChicago, IL 60608 <img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/e20f9d0c91292862edae0e9c12677776b09faca49ef9ac44530c94f9d66b590c/gw3.jpg" data-mid="246094947" border="0" src="https://freight.cargo.site/w/1000/i/e20f9d0c91292862edae0e9c12677776b09faca49ef9ac44530c94f9d66b590c/gw3.jpg" /> <img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/acfa3c3934aad9c7fbd1581e2ad9772782a10dc4456db6345d79a2c30400d9e1/gw9-copy.jpg" data-mid="246094949" border="0" src="https://freight.cargo.site/w/1000/i/acfa3c3934aad9c7fbd1581e2ad9772782a10dc4456db6345d79a2c30400d9e1/gw9-copy.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/020f70f1dd9e047b5963d11a83db9b0cad4fe881b08ee30c7a3c8649bac64f2d/goodw6.jpg" data-mid="246094948" border="0" src="https://freight.cargo.site/w/1000/i/020f70f1dd9e047b5963d11a83db9b0cad4fe881b08ee30c7a3c8649bac64f2d/goodw6.jpg" /> <img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/85526a0bbcfd1ca3b6ba9050aca147c74ea06ec6112ef6b92482b36dde32e357/gw4.jpg" data-mid="246094946" border="0" src="https://freight.cargo.site/w/1000/i/85526a0bbcfd1ca3b6ba9050aca147c74ea06ec6112ef6b92482b36dde32e357/gw4.jpg" /> https://sofiahallstrom.com/Press-Releases Tue, 08 Feb 2022 13:32:24 +0000 sofia hallstrom https://sofiahallstrom.com/Press-Releases Hannah Murray at Ginny on Frederick&nbsp; Exhibition text&nbsp;‘Murray’s artistic process begins with photographs of real friends, but once she starts painting, the figures drift from their referents. Working in oil, she draws on historical portrait techniques: a blue underpainting is followed by thin, translucent layers that slowly build the face. The blue radiates through the painted layers, giving the skin a luminescence closer to screen-glow than daylight. Her subsequent glazing smooths the features into a finish the human face rarely achieves. The skin seems to collect light like lacquer. ‘ <img width="1030" height="1212" width_o="1030" height_o="1212" data-src="https://freight.cargo.site/t/original/i/6f813d25413b23b62363240f98fb4ab994554b475e0d95b8947cc2cf7b2564c7/Screenshot-2026-03-12-at-10.20.18.png" data-mid="245924738" border="0" src="https://freight.cargo.site/w/1000/i/6f813d25413b23b62363240f98fb4ab994554b475e0d95b8947cc2cf7b2564c7/Screenshot-2026-03-12-at-10.20.18.png" /> Hannah Tilson at Cedric Bardawell&nbsp; Exhibition text&nbsp;‘Fabric is never still. It folds and unfolds, endlessly turning back into itself and into the materials of the world. Italian theorist Giuliana Bruno reminds us that architecture is not only about fixed form, but about the surfaces that mediate our bodily encounter with the environment. Walls, draperies, and textures act as thresholds between inner and outer, body and world. In Staged Surfaces, Hannah Tilson’s practice moves within this porous terrain, between drawing, installation, painting, fabric, and patterns that become not separate modes but entangled threads in a meshwork of living surfaces.’ <img width="685" height="1024" width_o="685" height_o="1024" data-src="https://freight.cargo.site/t/original/i/21ad3c5e79aa9b6c41e8a36b2c9ff7c3471d391af20e4045535eb303f84c4c34/cedric-bardawil-hannah-tilson-staged-surfaces-78510-685x1024.jpg" data-mid="245924894" border="0" src="https://freight.cargo.site/w/685/i/21ad3c5e79aa9b6c41e8a36b2c9ff7c3471d391af20e4045535eb303f84c4c34/cedric-bardawil-hannah-tilson-staged-surfaces-78510-685x1024.jpg" /> Noah Beyene at The Bridge Gallery, Paris Exhibition text&nbsp;“Sweden is a nation of striking contradictions. Celebrated for its liberal ideals, social welfare, and cultural traditions, it is simultaneously grappling with the rise of the far-right Sweden Democrats, a party that has fuelled anti-immigrant sentiment. Noah Beyene was born to a Swedish mother and an Ethiopian father, and growing up in Stockholm, he never quite felt “Swedish enough”, a sense of displacement that informs the deeply reflective work presented in this exhibition.” <img width="2282" height="1518" width_o="2282" height_o="1518" data-src="https://freight.cargo.site/t/original/i/065ee619ae90a1fdb3ea6fa8cffd89fc3d20474f8b895aafe76206905d37cfc4/Screenshot-2026-03-12-at-10.21.10.png" data-mid="245924832" border="0" src="https://freight.cargo.site/w/1000/i/065ee619ae90a1fdb3ea6fa8cffd89fc3d20474f8b895aafe76206905d37cfc4/Screenshot-2026-03-12-at-10.21.10.png" />