Kunstström! Berlin Art Week
Montez Press Radio 

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Sofia Hallström guides us around the increasingly political art scene in Berlin. Rents are climbing and cultural funding is being cut, yet artist-founded initiatives remain defiantly ambitious. The programme begins outside of the city at E-WERK Luckenwalde, a 40 minute train south past pine forest and lakes to a 1913 coal-fired power station that still generates electricity. Founders Pablo Wendel and Helen Turner talk through ‘Kunststrom’, running an art institution producing its own power, burning woodchip instead of coal and selling surplus back to the grid. In the turbine hall, artist Asad Raza's new show ‘Electricity’ treats that same current as something closer to myth than utility.

Back in the city, Sofia crosses to Breitscheidplatz, in the shadow of the bombed spire of the Kaiser Wilhelm Memorial Church, for the first posthumous retrospective of Polish twin sisters Alicja and Bożena Wahl at CCA Berlin. Spanning five decades of drawing, painting and stage design, the show returns again and again to the female body as a site of desire, vulnerability and projection.

At Hamburger Bahnhof, director Till Fellrath takes us through Japanese composer Ryuichi Sakamoto's first major European retrospective, featuring a tsunami-wrecked piano rewired as a seismograph. Then to Neuer Berliner Kunstverein, where curator Leon Kahane walks us through ‘Projections Onto the East’ exploring how "East" and "West" persist as loaded categories in European memory politics, and how the Alternative für Deutschland political party has turned that same terrain into a political weapon. At C/O Berlin, legendary photographer Carrie Mae Weems discusses forty years of work, whilst Sprüth Magers presents the ‘Bad Painting’ pioneer Walter Dahn’s first show since his death in 2024. Later, Turner Prize-shortlisted Kira Freije walks us through ‘Between Sunlight’ at KINDL, with life-sized welded figures, cast from her own hands and feet.

In the evening, the Julia Stoschek Foundation, whose Leipziger Strasse space closes after a decade, hosts poet and musician James Massiah's long-running night 'Adult Entertainment'.

‘Strom’ most commonly means electricity or a large river or stream in German.



Glasgow International 2024

In this programme, Sofia takes listeners through Glasgow’s car parks, orchards, exhibition spaces, and industrial estates with sounds, music and interviews from GI 2024.

She interviews artist and founder of Earshot – the world’s first not-for-profit organisation dedicated to the study of audio for human rights and environmental advocacy – Lawrence Abu Hamdan to discuss ‘Air Pressure’, Abu Hamdan’s live audio essay which examines the effects of Israeli airspace violations. Sofia also sits down with artist Alexis Kyle Mitchell, to discuss ‘The Treasury of Human Inheritance’, a personal film about her family's battle with myotonic dystrophy. Next, she speaks with Thomas Abercromby and The School of Mutants, Lisette May Monroe from Rosie’s Disobedient Press, Mina Heyday-Waite, Reiko Goto Collins, Bobbi Cameron & Owain Train McGilvary, Tako Taal, Susan Phillipz and students from Glasgow and Dresden Schools of Art, Joey Simons, Alexis Kyle Mitchell, Rabindranth X Bhose & Belladonna Paloma & Oren Shoesmith and performance group, STASIS.

Listen to the programme here: https://radio.montezpress.com/#/show/3508 


Metroland Cultures, 2025

Metroland Cultures is an artist community housed in a former NHS health clinic and disused council building in Kilburn, providing free studio space and support enabling artists to sustain their creative practices despite the pressures of London’s increasing property prices, shrinking studio spaces, and funding cuts.

In the programme, Sofia speaks with Linett Kamala known as Notting Hill Carnival’s ‘Sound System Queen’; artist Francesca Telling ; the collective Other Cinemas led by Arwa Aburawa and Turab Shah which supports Black and non-white filmmakers; and Tom James whose project Absolute Beginners teaches young people to create practical, sustainable products. Insights are also shared by Lizzie Graham, programme curator; Louise Shelley, deputy director; and Christy O'Beirne, assistant curator. Our conversations explore the significance of working in a space once dedicated to care, Brent’s history of community resistance such as the 1970s Grunwick strikes, and the cultural power of music.

Listen back on: https://radio.montezpress.com/#/show/3659




Linder Sterling at Hayward Gallery

An exhibition walk through with punk queen Linder inside her retrospective, ‘Linder: Danger Came Smiling’, at Hayward Gallery in London

Linder Sterling has spent decades challenging norms, disrupting societal expectations, and reshaping feminist discourse through her provocative and multifaceted artistic practice. From her roots in the 1970s Manchester punk scene to her photomontages, performance, music, and fashion, Linder’s work continues to provoke thought and critique societal constructs around gender, identity, and representation. In this programme, Linder will walk listeners through her largest retrospective to date at the Hayward Gallery in London, Danger Came Smiling. The exhibition spans 50 years of work, exploring the evolution of pornography, the interplay between feminism and glamour, the impact of AI on art, and her experiments with deep fakes, as well as her punk origins and The Hayward’s brutalist architecture as the ideal stage for her work. With anecdotes from her career and insights into her future work, this program is both a celebration and a critique of glamour, art, and the worlds they inhabit.

Listen online: https://radio.montezpress.com/#/show/3677
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